Through the end of the '90s, Sweat's mainstream profile wasn't quite as high, but he remained a major force in R&B as he recorded the occasional contemporary set, including Get Up on It (1994), Keith Sweat (1996), and Still in the Game (1998). Additionally, the first of two albums recorded with Gerald LeVert and Johnny Gill, billed as LSG, was considerably successful, and he also produced a handful of prominent '90s acts, such as Silk, Kut Klose, and Dru Hill. The following decade began with Didn't See Me Coming (2000) and Rebirth (2002), his final releases for Elektra. He moved to Atco for Just Me (an R&B chart-topper in 2008), then to Kedar for Ridin' Solo (2010). 'Til the Morning (2011) was the first release on his KDS label. Sweat starred in the Centric channel's reality program Keith Sweat's Platinum House, in which he facilitated a turbulent Dru Hill reunion. Dress to Impress (2016) featured that group, as well as Silk, as guest collaborators. At the time of its release, The Sweat Hotel, his long-running syndicated radio program dedicated to R&B from the '70s to the present, was nearing its tenth anniversary. In 2018, with a dozen albums behind him, Sweat issued Playing for Keeps, featuring guests K-Ci, Akon, Teddy Riley, and Tank. ~ William Ruhlmann & Andy Kellman, Rovi
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Listen to What Makes You Sweat on Spotify. Learn how to start and scale your business, and navigate the world of being a fitness entrepreneur! We speak with fitness professionals and entrepreneurs from all over the world about how they built their business. Your host, Martha Fedorak, is a CPA, MBA by trade but a fitness instructor and entrepreneur at heart. The app let me choose between Apple Music, Spotify Premium or no music. Other apps I've tried play good songs, but I did enjoy the option to choose my own playlist. Having it integrated directly. Spotify is a digital music service that gives you access to millions of songs. If you love the SWEAT app, leave us a 5-star review! We’d love to hear what you think of the latest release. 5.4.5 February 11, 2020. Start 2020 strong with our six-week fitness challenge! Train with your SWEAT Trainer and the SWEAT Community worldwide with six weeks of exclusive workouts, available for a limited time only! This update includes. Now playing on your wrist.Access and Download your playlists, albums and podcasts for listening anywhere. Grab music that’s Made for You or for Workouts to find fresh tracks to enhance your performance while you sweat.Note: Spotify on Garmin requires a Spotify Premium Account.
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From their origins as a jazz-rock experiment that wowed critics and listeners, they went on -- in a somewhat more pop vein -- to sell almost six million records in three years, but ended up being dropped by their record label four years after that. Blood, Sweat & Tears started as an idea conceived by Al Kooper in July of 1967. An ex-member of the Blues Project, Kooper had been toying with the notion, growing out of his admiration for jazz bandleader Maynard Ferguson, of forming an electric rock band that would include horns and use jazz as the basis for their work. He planned to pursue this in London, but a series of New York shows involving some big-name friends didn't raise enough money to get him there. He did, however, find three players who wanted to work with him: bassist Jim Fielder, Blues Project guitarist Steve Katz, and drummer Bobby Colomby. Kooper agreed, as long as he was in charge musically. The horn section featured Fred Lipsius (saxophone), with Randy Brecker and Jerry Weiss on trumpets and flügelhorns, and Dick Halligan playing trombone. The new group was signed to Columbia Records, and the name 'Blood, Sweat & Tears' came to Kooper after a jam at the Cafe au Go Go, where a cut on his hand left his organ keyboard covered in blood.
